Sizzle
Would you like to react to this message? Create an account in a few clicks or log in to continue.

Sizzle

Hot New Rap Forum
 
HomePortalGallerySearchLatest imagesRegisterLog in

 

 Eminem Bio Part 2

Go down 
AuthorMessage
irishrose
Admin
irishrose


Female
Number of posts : 567
Age : 42
Home : Land of Green & Gold
Humour : Funni crazy kind
Hobbies : writing poetry and laughing
Registration date : 2007-05-01

Eminem Bio Part 2 Empty
PostSubject: Eminem Bio Part 2   Eminem Bio Part 2 Icon_minitimeTue May 08, 2007 12:31 am

Racist tapes

In the midst of the Benzino-Eminem conflict, Benzino found two tapes of a young Eminem rapping what could have been believed to be racist. Among the two songs, Eminem said, "I don't like that nigga shit" and also that "black girls only want your money." As soon as the songs became public, Eminem immediately released an apology for the controversial songs. Eminem would again apologize for the lyrics in the song "Yellow Brick Road" off his album Encore. Eminem tried to explain how the songs came to being made in that the first song was him trying to sound "whack." The second he said he did after a bad breakup with a girlfriend who was black. In the following lines from his fourth album Encore's track Yellow Brick Road he apologises for the tapes made: "But I've heard people say they've heard a tape, and it ain't that bad, but it was, I singled out a whole race, and for that I apologize, I was wrong, 'cause no matter what color a girl is she still a ho."

Immediately after the release of Eminem's first apology, Def Jam CEO Russell Simmons came out in accepting Eminem's apology and since then, with the exception of Benzino, other rappers have mostly forgotten or simply dropped the issue.

Violence towards women

The three 'eye-opening' songs most often cited as examples in The Marshall Mathers LP of Mathers' supposed misogyny were "Kill You", "'97 Bonnie and Clyde" and "Kim." Critics claimed the former portrayed extremely violent abuse against women in general and contained a line about him raping his own mother, "Oh, now he's raping his own mother, abusing a whore, snorting coke, and we gave him the Rolling Stone cover?". The latter is not so much a song as it is a reenactment of a fictional fight between him and his wife, although his shouted, hoarse lines do rhyme. Despite his conflicting expressions of love and hate throughout the track, he ends up slitting Kim's throat at the end, accompanied by cries of "Bleed, bitch, bleed!" Several people objected to the graphic description of domestic violence. On the clean version of the CD, the track was removed and replaced with a song almost entirely devoid of profanity called "The Kids."

Criticism of other artists

Eminem's provocative style has resulted in a number of high-profile feuds erupting between the rapper and some of his music industry peers. He has at one time or another had disputes with artists including Ja Rule, former Source magazine co-owner Raymond "Benzino" Scott, Everlast, Royce Da 5'9", Canibus, Insane Clown Posse, Vanilla Ice, Michael Jackson, Will Smith, Britney Spears, Mariah Carey, Limp Bizkit (specifically members Fred Durst and DJ Lethal), Jermaine Dupri, Moby, Esham, Cage and Christina Aguilera, as well as Christopher Reeve.

In all of these beefs Eminem and other have more-or-less made peace. He has used his many connections within the music industry, especially with mixtape DJs, to release many unofficial diss tracks. His partnership with DJ Green Lantern, while it lasted, led to several mixtapes entitled The Invasion. On these mixtapes there were many songs unrelated to the animosity between Eminem and his labelmates and other artists, though the majority of the songs could easily be called diss tracks. The harshest of these was the second, called Conspiracy Theory. It had several songs by Eminem and his crew attacking a range of artists, particularly Ja Rule and Benzino, including "Bump Heads," "Doe Ray Me," and a remix of the Tupac (2Pac) song "Hail Mary" (with no contribution from the original artist).

In acceptance of his Grammy for Best Rap Album (for The Eminem Show) in 2003, he credited his rap influences, saying, "I made me a little list of MCs that I wanted to name off that inspired me to, to bring me where I am today - cause honestly, I wouldn't be here without them. So the list goes like this, and it's not in this order, but the list is this: Run-DMC, the Beastie Boys, LL Cool J, Kool G. Rap, Masta Ace, Rakim, Big Daddy Kane, Dr. Dre, all of N.W.A., KRS-One, Treach from Naughty by Nature, Nas, 2Pac, Biggie, Jay-Z. Thank you, 'cause I learned from all of you. Thank you."[24]

Chuck D of Public Enemy has shared his criticism of Eminem as Follows and has quoted him as the "new" Elvis Presley.:"Eminem is the new Elvis Presley because, number one, he has the respect for black music that Elvis had. I think he's courteous and sympathetic to black music and, unfortunately, he's more sympathetic to black music than many black artists themselves." [[1]]

Criticism of George W. Bush
Eminem votes in the video Mosh.
Eminem votes in the video Mosh.

On December 8, 2003, the United States Secret Service admitted it was "looking into" allegations that Mathers had threatened the President of the United States after the unreleased song "We As Americans" leaked onto the Web. The lyrics in question: "Fuck money / I don't rap for dead presidents / I'd rather see the president dead / It's never been said, but I set precedents...". The song was being recorded to possibly be on Encore, but wound up on a bonus CD accompanying the album instead. The second use of the word "dead" was backmasked in that version. The skit was also used in Immortal Technique's song "Bin Laden", stated near the end. Immortal Technique also attacks the president on the song.

On October 26, 2004, a week before the 2004 U.S. Presidential election, Eminem released the video for his song titled "Mosh" on the internet. The song features a very strong anti-Bush message, with lyrics such as "fuck Bush" and "this weapon of mass destruction that we call our president." The video features Mathers gathering up an army of people presented as victims of the Bush administration and leading them to the White House. However, once the army breaks in, it is revealed that they are there to simply register to vote, and the video ends with the words "VOTE Tuesday November 2" on the screen.

After Bush won the election, the video's ending was changed to Eminem and the protesters invading while Bush was giving a speech.

Michael Jackson

On October 12, 2004, a week after the release of "Just Lose It", Eminem's first single off Encore, Michael Jackson called into the Los Angeles-based Steve Harvey radio show to report his displeasure with the video, which parodies Jackson's child molestation trial, plastic surgery, and an incident in which Jackson's hair caught on fire while filming a Pepsi commercial in 1984. The lyrics to "Just Lose It" also refer to Jackson's legal troubles, however he does state in his song "...and thats not a stab at Michael/Thats just a metaphor/I'm just psycho...". Many of Jackson's supporters and friends spoke out about the video, including Stevie Wonder, who called the video "kicking a man while he's down" and "bullshit",[25] and Steve Harvey who declared, "Eminem has lost his ghetto pass. We want the pass back."[26] In the video, Eminem also parodied Pee Wee Herman, MC Hammer, and a Blonde-Ambition-touring Madonna.

Black Entertainment Television was the first channel to stop airing the video. MTV, however, announced it would continue airing the video, and "Just Lose It" became the #1 requested video on Total Request Live for the week ending October 22. The Source, through its CEO Raymond "Benzino" Scott, wanted not only the video to be pulled, but the song off the album, and a public apology to Jackson from Mathers.[27]

Others dismissed "Just Lose It" as a tame "Weird Al" Yankovic-style knockoff.[28] Regarding Jackson's protest, Yankovic, who parodied the Eminem song "Lose Yourself" on a track titled "Couch Potato" on his 2003 album Poodle Hat, told the Chicago Sun-Times, "Last year, Eminem forced me to halt production on the video for my "Lose Yourself" parody because he somehow thought that it would be harmful to his image or career. So the irony of this situation with Michael is not lost on me".

Drug use

In summer 2005, Mathers embarked on his first US concert run in three years, the Anger Management 3 Tour, featuring Lil' Jon, 50 Cent and G-Unit, D12, Obie Trice, The Alchemist, and others. In August 2005, Mathers canceled the European leg of the tour and subsequently announced that he had entered drug rehabilitation for treatment for a "dependency on sleep medication."

At the same time as he was entering rehab, his aunt and uncle, Jack and Betty Schmitt, sued him, charging that he had reneged on a promise to build a $350,000 house for them and supply them with money for the house's upkeep. The couple claimed that Mathers had kept the house in his name, and then issued them eviction orders.

Other works and ventures

Eminem as an actor

Mathers made his Hollywood acting debut with the semi-autobiographical 8 Mile, released in November 2002. He has said the movie is not an account of his life, but a representation of growing up in Detroit. He recorded several new songs for the soundtrack, including "Lose Yourself", which won an Academy Award for Best Original Song; it was not performed at the ceremony, reportedly because ABC wanted him to perform an edited version.

Mathers voiced a character in 50 Cent: Bulletproof, who is an aging corrupt police officer that speaks in ebonics.

Mathers has also done some voice acting, both on Crank Yankers and a web cartoon called The Slim Shady Show, which has since been pulled off-line and is instead sold on DVD.

Eminem will star in the upcoming film Have Gun - Will Travel in which he will play a bounty hunter called Paladin. He will also be involved in either the soundtrack or scoring. [29]

Shady Records

Dr. Dre's leading protégé, Mathers succeeded in multi-platinum record sales. He was granted his own record label, a sub-label of Aftermath Entertainment. He and his manager Paul Rosenberg created Shady Records in late 2000. Mathers and Dr. Dre had signed 50 Cent on a joint venture between Aftermath & Shady Records. His own Detroit collective D12 and rapper Obie Trice were signed to the Shady Records label. In 2003, Mathers and Dr. Dre signed on Atlanta rapper Stat Quo to the Shady/Aftermath roster. DJ Green Lantern, the former DJ for Mathers, was signed to Shady Records until a dispute with 50 Cent forced him to depart from the label; he is no longer associated with Mathers. [30] The Alchemist is now officially Mathers' tour DJ. In 2005, Mathers officially signed another Atlanta rapper known as Bobby Creekwater to his label along with west coast rapper Ca$his. In the Anger Management Tour of 2003 The Alchemist hurt his wrist, preventing him from being the tour's DJ. Clinton Sparks filled in for him, with the rectom playing and his name is mentioned on the album numerous times.[citation needed]

Eminem as a producer

Mathers is also active as a producer of rap records. Besides being the executive producer of D12's two albums, Devil's Night and D12 World, he has also executive produced Obie Trice's Cheers and Second Round's on Me as well as 50 Cent's Get Rich or Die Tryin' and The Massacre. In addition, Mathers has produced and appeared on several songs by other famous rappers, such as Jadakiss' "Welcome To D-Block", Jay-Z's "Renagade" and "Moment of Clarity" Lloyd Banks' "Warrior Part 2", and "Hands Up", Tony Yayo's "Drama Setter", Trick Trick's "Welcome 2 Detroit", and Xzibit's "My Name" and "Don't Approach Me". Most of The Eminem Show was produced by Mathers himself, with co-production from longtime collaborator Jeff Bass. He also split the production with Dr. Dre on Encore. In 2004, Mathers was the Executive Producer of 2Pac's posthumous album Loyal to the Game with 2Pac's mother Afeni Shakur. He produced the UK #1 single "Ghetto Gospel" which featured Elton John. On certain tracks on the album, 2Pac's voice was slowed down and digitally altered to match the beat and make him say things like "2005" and "G-Unit", angering many fans. Mathers has named 2Pac as his favorite rapper. He has also produced "The Cross" off Nas's album God's Son.

See also: List of songs Produced by Eminem

Eminem in D12

Main article: D12

In 2001, Mathers brought his rap group, D12, to the popular music scene. In 2001, D12 released their hit debut album Devil's Night.

The first single released off of the album was "Purple Pills" (radio named "Purple Hills"), an ode to recreational drug use (although this was preceded in the UK by a song called "Shit on You", which was included on the special edition version of the album). The version of the song released on the radio and music television was heavily rewritten to remove many of the song's obscene lyrics, and renamed "Purple Hills". While the first single was a massive hit, the album's second single, "Fight Music", was not as successful, in part due to its timing in relation to the 9/11 attacks.

After their debut, D12 took a three-year break from the studio, later regrouping to release their sophomore album, D12 World, in 2004, which featured the popular hit single release "My Band". The other members of D12 have also appeared as guests on all of Mathers' albums since The Marshall Mathers LP. D12's third album was tentatively scheduled for a 2006 release. D12 member Bizarre had said that the crew had spent time in the studio. However, it can be expected that the album may be postponed due to the untimely death of D12 member Proof. The news has since been released that the album will be released June 12, 2007.

Death of Proof

Main article: Proof (rapper)

On April 11, 2006, Proof was killed by a gunshot wound to the head at approximately 4:30am EDT (08:30 UTC) at the CCC Club on 8 Mile Road in Detroit, Michigan after fatally shooting U.S. military veteran Keith Bender, Jr.

Proof was buried on April 20, 2006 in The Fellowship Chapel, Detroit to a full house of 2,000 with thousands mourning outside. Mathers and Obie Trice both read eulogies at the service.

An excerpt: "I'm sure everybody who has ever met him, even just once, can testify to the fact that he illuminated a room when he walked in it. I believe that Proof loved people and people loved him. He was a magnet. He lured you in. You wanted to learn about him, follow his swagger. Without Proof, there would be no Eminem, no Slim Shady, and no D12."
Back to top Go down
https://sizzle.niceboard.com
 
Eminem Bio Part 2
Back to top 
Page 1 of 1
 Similar topics
-
» Eminem Bio
» Eminem Awards
» Eminem Links
» Hostel Part 2

Permissions in this forum:You cannot reply to topics in this forum
Sizzle :: Music- :: Rap Styles- :: UnderGround- :: Any Other type of Music--
Jump to: